Solution:Aspect ratio: A comparison of the width to the height of the usable (or visible) image portion of a film or video frame expressed as a numeric value or calculated ratio, such as 16 x 9, 1.33 to 1, or 1.85:1.
Fig. The interior rectangle shows an aspect ratio of 16: 9, while the exterior rectangle shows an aspect ratio of 4: 3.
Aspect ratios are generally given in terms of the projected or viewed image, rather than in terms of the image recorded by the camera.
The image recorded on film by the camera may be of a different aspect ratio than the desired projection or broadcast image typically it is more square.
When this is the case, either the projector is masked off with a soft matte so that the resulting image on screen is of the appropriate aspect ratio or a hard matte is added during production of the release prints, possibly to the interpositive or internegative.
Common presentation aspect ratios include:
• 1.19:1-Movietone frame (silent film frame reduced in width to allow for an optical soundtrack).
• 1.25:1—Standard LCD computer monitor; still photographic prints (4 × 5 or 8 × 10 in a landscape orientation)
• 1.33:1—Silent film (aspect ratios varied greatly during the early Silent Era (c. 1890), but eventually settled on 1.33); full frame 35 mm (without space for a soundtrack); 8 mm; standard television or CRT computer monitor (where it is more commonly expressed as 4 : 3 or 4 × 3).
• 1.37:1—Academy aperture for 35 mm (Movietone frame adjusted to provide a more rectangular image while still allowing room for an optical soundtrack); 16 mm.
• 1.43:1—IMAX (often referred to as 15/70 indicating that the frame runs for 15 perforations on 70 mm film, as opposed to the standard 4 perforations for a full frame 35 mm image).
• 1.60:1—Widescreen computer monitor.
• 1.62:1—The Golden Ratio (rounded from 1.6180339887).
• 1.66:1—Continental European standard theatrical aspect ratio (considered widescreen in comparison to Academy aperture); Super-16—may be rounded to 1.67.
• 1.78:1—Widescreen television (where it is more commonly expressed as 16:9 or 16 × 9).
• 1.85:1—U.S. and U.K. standard theatrical aspect ratio (considered widescreen in comparison to Academy aperture); normal human vision (unlike motion picture and television aspect ratios, which are based on a rectangular image, human vision is roughly shaped like an ellipse with the aspect ratio measured along its widest and tallest dimensions).
• 2.00:1—VistaVision and Magnafilm.
• 2.13:1—Grandeur.
• 2.20:1—Non-anamorphic (spherical) 70 mm.
• 2.35:1—Non-anamorphic (spherical) 35 mm widescreen; anamorphic 35 mm widescreen prior to c. 1970; CinemaScope; Panavision.
• 2.39:1—Anamorphic 35 mm widescreen since c. 1970—may still be referred to as 2.35 for historical reasons or may be rounded to 2.40.
• 2.59:1—Cinerama (using three 35 mm film prints projected on the same screen).
• 2.75:1—Anamorphic 70 mm.
• 3.66:1—Magirama.