UGC-NET (NTA) Exam, Performing Arts, August- 2024

Total Questions: 100

91. Read the following paragraph and answer the questions given below:

The form of 'Drama' which has been created in our drama tradition, is based on Veda. Brahma took text from the Rigveda in the process of drama creation. The Rig Veda has been considered as a Veda of earth. Its presiding deity is Agni.
This has been expressed in different ways in different scriptures. This has been accepted by all of them be it "Aitareya Brahmana or Jaiminiya Brahmana.
The same way, it has been said that the place of Samveda is sky and its deity is Aaditya, the place of Yajurveda is Antariksha loka, which is located between Prithwi lok and Aaditya lok, and its deity is Vaayu. The one which is metrical, that is Rig, and the one which is musical, that is Sam and the remaining/shesh prose is Yajuh.
Sculpture is created from Rig. Therefore we can say that Rig is the form of material we call it Satt. Therefore it can be argued that Rig is related with Satt. The reality of things is felt due to Sam Mandal, that is why Sam is the reason of knowledge. Therefore Sam will be called Chitt. The form of material is Yajuh, which is availability of material. That is why the feeling of accruing is of Yajuh, that is pleasure.
Therefore, pleasure is related to Yajuh, Satt with Rig and Chitt is connected with Sam. Sathpatha Brahmana says, "Triyya Bheva Vidyaya Sarvani Bhutani'. This means that Rig, Sam and Yajuh are all inclusive of all kinds of materials.
Who is the deity of Rigveda as per the paragraph? 

Correct Answer: D. Agni
Solution:

According to the passage, the deity of Rigveda is Agni. This classification is rooted in the Vedic tradition where Agni, the fire god, symbolizes the essential life force and the mediator between the human and the divine, which is reflective of the earthly attribute of the Rigveda as mentioned.

92. What is the place of Yajurveda as per the paragraph?

Correct Answer: C. Antriksh Lok
Solution:

The place of Yajurveda as per the p ssage is Antariksha loka, which is described as the realm located between the earthly plane (Prithwi lok) and the heavenly sphere (Aditya lok). This placement underscores the intermediary role of Yajurveda in Vedic literature, bridging the earthly and divine with its rituals and mantras.

93. What is Yajuh, according to paragraph?

Correct Answer: B. 'Shesh' Prose
Solution:

Yajuh, according to the passage, is described as the remaining or 'shesh' prose. This classification highlights its nature in the Vedic context where, unlike the metrical Rigveda and the musical Samaveda, Yajurveda consists of prose formulations focused on ritualistic performances, thereby serving as the material component in Vedic rituals.

94. What is the foundation scripter of the Natyashastra, according to paragraph?

Correct Answer: C. Chatur Veda
Solution:

The foundation scripter of the Natyashastra, according to the passage, is derived from the Chatur Veda, indicating that the dramatic tradition is deeply rooted in Vedic texts. This association underscores the integration of dramatic art with the spiritual and ritualistic dimensions of the Vedas, reflecting the cultural and religious fabric of Vedic India.

95. According to paragraph, Sam is related to which one?

Correct Answer: D. Chitt
Solution:

According to the passage, Sam is related to Chitt, which signifies consciousness or mind.
This relationship is drawn from the role of Samaveda, which, through its musical compositions, is believed to influence knowledge and the deeper unde. standing of the universe, thus linking it directly with the cognitive and reflective aspects of the human experience.

96. Read the following paragraph and answer the questions given below:

That was the era where company theatre flourished, and theatre used to be full with audiences. The moving teams of the professional artistes were full with costume laden artists.
Their manner, acting and full performance were different. Full of action along with content and characterization. The small clips and Reels on cinema, television and mobile have challenged the theatre in terms of audiences. In today's time, the theatre has accepted this challenge by inventing its various forms.
Now, such plays are performed which highlight the mental activities and not outer body actions. It is difficult to find such artists in this electrified world driven by the media who can give full-time for rehearsal of big plays.
Except the Rangamandal of National School of Drama (N.S.D.), there is tradition of solo plays with two to four artists in small play groups in the Hindi Belt.
The purpose is to search the inner self of man by inspection and introspection. It is a bit similar to the form of things coming under the 'Bhan' of Dashrupak in the Sanskrit.
But its subject matter is different, style is different. Ever the theatre of story is also functional through theatre since last half century. The adoption of novels is happening from small cities to mega cities. The concept of 'total theater', which includes the vocabulary of music, dance, acting and body alphabets is becoming extinct in this era of the globalisation.
According to paragraph, what was the feature of professional artists? 

Correct Answer: C. Movement performance and action
Solution:

The feature of professional artists during the era of company theatre, as highlighted in the passage, was characterized by movement performance and action.
This emphasis reflects the dynamic and physically engaging style of theatre that was prevalent at the time, where the physicality and expressiveness of the actors played a crucial role in conveying the narrative and emotional content of the plays to the audience.
Such performances were likely full of energy and dramatic motion, which not only captivated the audience but also showcased the technical skill and versatility of the performers.

97. According to paragraph, what is the purpose of contemporary theatre?

Correct Answer: C. Need to identify inner forms
Solution:

The purpose of contemporary theatre, according to the paragraph, is to explore and identify the inner self of man through introspection and inspection.
This focus marks a shift from external representations to more profound internal explorations, reflecting a deeper engagement with the psychological and existential dimensions of human experience.

98. According to paragraph, what was the impact of Globalisation on the theatre?

Correct Answer: B. Extinction of total theatre
Solution:

The impact of globalization on theatre, as mentioned, includes the extinction of total theatre. This term refers to a comprehensive approach to theatre-making that integrates various art forms such as music, dance, and acting. Globalization has challenged this integration, perhaps due to the diversification of audience tastes and the proliferation of digital media, leading to a more fragmented approach to the arts.

99. According to paragraph, identify the problem of presentation of big plays.

Correct Answer: D. Lack of time on part of artists
Solution:

One significant problem in the presentation of big plays, as highlighted, is the lack of time on the part of artists for rehearsals.
This issue stems from the modern, fast-paced lifestyle and the competing demands from various forms of media, which collectively reduce the availability and commitment of artists to engage in lengthy rehearsal processes, thereby affecting the quality and depth of theatrical productions.

100. According to paragraph, what is the concept of Total Theatre?

Correct Answer: C. Music, dance, body movement and acting
Solution:

One significant problem in the presentation of big plays, as highlighted, is the lack of time on the part of artists for rehearsals. This issue stems from the modern, fast-paced lifestyle and the competing demands from various forms of media, which collectively reduce the availability and commitment of artists to engage in lengthy rehearsal processes, thereby affecting the quality and depth of theatrical productions.