UGC-NET (NTA) Exam, Performing Arts, August- 2024

(A): The correct order of the following artists based on their age is:
(a) Kunju Kurup: One of the earlier figures in this list, renowned for his contributions to Kathakali.
(b) Bala Saraswati: An iconic Bharatanatyam dancer born in the early 20th century.
(c) Kelucharan Mahapatra: A legendary Odissi dancer who played a pivotal role in the revival of the dance form in the mid-20th century.
(d) Vedaantam Satyanarayan: Among the younger of these celebrated artists, contributing to the field of Kuchipudi.

The order of increasing intensity in the portrayal of Hasya bhaava (humorous expression) is:
(b) Smitam: A gentle smile.
(c) Vihasitam: A broader smile, more expressive.
(d) Upa hasitam: A gentle laugh.
(a) Apahasitam: A full laugh.
(e) Ati hasitam: Roaring laughter.

'The Incense' was choreographed by Ted Shawn, and 'Siddhas of the Upper Air' was choreographed by Ruth St. Denis.
Both were pivotal figures in the development of dance in America, incorporating Oriental themes into their choreography to enrich American dance with new aesthetic dimensions.

The dance-dramas created by Uday Shankar, known for his innovative approach to Indian dance, include:
(a) Shankarscope: A dance-drama conceptualized by Uday Shankar.
(b) Hindu Wedding: A portrayal of traditional Indian wedding ceremonies through dance.
(d) Labour and Machinery: A thematic presentation on the impact of industrialization.

The beats (taal) of equal matra (measure) are:
(a) Dhamar: Known for its 14-beat cycle divided into equal parts.
(b) Deepchandi: Features a 14-beat cycle with a distinctive rhythmic structure.
(e) Jhumra: Traditionally has a 14-beat cycle divided into rhythmic groups that are often played evenly.

Kavadi Attam, a ritual folk dance, is notably famous amongst the PIO (People of Indian Origin) communities in:
(c) Malaysia: Where it is part of the Thaipusam festival among the Tamil community.
(d) Mauritius: Celebrated by the Indian diaspora during religious festivals. (e) Singapore: Integral to the Tamil community's cultural and religious celebrations.

The correct combinations of choreographers and their works are:
(c) Daksha Seth and Sari: Daksha Seth is known for contemporary dance creations, and "Sari" is a work that explores the garment's draping style and its metaphorical significance.
(d) Madam Menaka and Usha: Madam Menaka, a pioneer of the revival of Indian classical dance, choreographed works based on traditional narratives like that of Usha.

Terms associated with sambhoga sringara, which reflects the theme of intimate love and union, include:
(a) Sampanna: Denoting being complete or together.
(c) Samkshipta: Reflecting brief or concise expressions of intimacу.

Each Labanotation symbol represents:
(b) Involved body part: Which part of the body is moving.
(c) Timing: The rhythm or time aspect of the movement.

The terms used synonymously to represent abstract dance by Bharat Muni are:
(c) Nritta: Pure dance that focuses on rhythm and movement without any expressive intent.
(d) Tandava: A vigorous dance that is traditionally associated with the cosmic dance of Lord Shiva, embodying pure dance elements.