UGC-NET (NTA) Exam, Performing Arts, August- 2024

Total Questions: 100

81. Which of the following statements are voiced by French Playwright Emil Zola?

(a) Drama is true portrayal of the human conditions.
(b) Art is called precisely Art
(c) Drama became the human laboratory and it must be seen being detached from it.
(d) There is no one style or method.
(e) The purpose of Drama was to teach us how to survive.
Choose the correct answer from the options given below:

Correct Answer: B. (a) and (c) only
Solution:

Emil Zola, a French playwright, articulated that drama is the true portrayal of human conditions and that it serves as a human laboratory from which we must detach ourselves to objectively analyze human behavior and society. These ideas emphasize his view of theater as a powerful tool for reflecting and examining the complexities of human life and societal structures.

82. Identify which are not included in the Fundamentals of Play Direction:

(a) Tempo and Rhythm
(b) Movement
(c) Theatre Management
(d) Emphasis
(e) Pedagogy
Choose the correct answer from the options given below:

Correct Answer: C. (c) and (e) only
Solution:

In the fundamentals of play direction, theater management and pedagogy are not typically included.
While essential for broader theatrical production and education, they do not directly pertain to the artistic and technical aspects of directing a play, such as managing tempo, rhythm, movement, and emphasizing dramatic elements.

83. Match the List-I with List-II.

List-I List-II 
(a) Bharati VrittiI. Atharv Veda
(b) SattvatiII. Rigveda
(c) KaushikiIII. Yajurveda
(d) AryabhatiIV. Samveda

Choose the correct answer from the options given below:

(a)

(b)

(c)

(d)

A.

II

III

IV

I

B.

I

IV

II

III

C.

III

II

I

IV

D.

IV

I

III

II

Correct Answer: (A)
Solution:

Matching the Vrittis (stylistic approaches in classical Indian drama) to their corresponding Vedas is symbolically significant in highlighting their characteristics:
(a) Bharati Vritti, (ii) associated with the Rigveda, emphasizes verbal elegance and sophistication.
(b) Sattvati, (iii) linked with the Yajurveda, focuses on psychological expressions and the depth of emotions.
(c) Kaushiki, (iv) related to the Samveda, is known for its fluidity and musicality.
(d) Aryabhati, (i) connected to the Atharv Veda, is noted for its energetic and forceful style, often used in dramatic and lively performances.

84. Match the List-I with List-II.

List-I List-II 
(a) Ranga Peetha TheatreI. Karnataka
(b) Corus TheatreII. Maharashtra
(c) RangayanIII. Chhattisgarh
(d) Naya TheatreIV. Manipur

Choose the correct answer from the options given below:

(a)

(b)

(c)

(d)

A.

II

IV

I

III

B.

I

IV

II

III

C.

II

I

III

IV

D.

III

II

IV

I

Correct Answer: (A)
Solution:

(a) Ranga Peetha Theatre is a significant cultural institution in Karnataka known for its. contributions to regional theatre and performance arts.
(b) Corus Theatre is associated with the northeastern state of Manipur, known for its vibrant theatrical and performance traditions.
(c) Rangayan is a prominent theatre group from Maharashtra, contributing to the rich tradition of Marathi theatre.
(d) Naya Theatre was founded by the legendary theatre artist Habib Tanvir and is based in Chhattisgarh.
So, the correct matching remains: A. II, IV, I, III.

85. Match the List-I with List-II.

List-I List-II 
(a) KaragarI. Michael Madhusudan Dutt
(b) SharmishtaII. Khadilkar
(c) NavannIII. Manmath Rai
(d) Keechak VadhaIV. Briyan Bhattacharya

Choose the correct answer from the options given below:

(a)

(b)

(c)

(d)

A.

III

I

IV

II

B.

III

II

IV

I

C.

II

I

IV

III

D.

I

III

II

IV

Correct Answer: (A)
Solution:

Correctly matching the plays to their authors:

  • Karagar by Manmath Rai: Reflects his narrative style and contribution to drama.
  • Sharmishta by Michael Madhusudan Dutt: A notable work that showcases Dutt's expertise in crafting complex characters and dramatic narratives.
  • Navann by Briyan Bhattacharya: Highlights Bhattacharya's modern literary techniques and thematic explorations.
  • Keechak Vadha by Khadilkar: Emphasizes Khadilkar's ability to weave traditional themes into compelling theatrical pieces.

86. Match the List-I with List-II.

List-I List-II 
(a) AeschylusI. Lysistrata
(b) Euripides.II. Hecuba
(c) AristophanesIII. Seven Against Thieves
(d) SophoclesIV. Antigone

Choose the correct answer from the options given below:

(a)

(b)

(c)

(d)

A.

III

I

IV

II

B.

III

II

I

IV

C.

I

III

II

IV

D.

IV

I

III

II

Correct Answer: (B)
Solution:

(a) Aeschylus - Seven Against Thebes: Often referred to as the "father of tragedy," Aeschylus was one of the earliest known Greek playwrights. He is credited with expanding the number of actors in plays to allow for greater dramatic dialogue.
(b) Euripides - Hecuba: One of the three great tragedians of classical Athens, Euripides is known for his complex characters and exploration of psychological depth. His plays often challenged traditional social norms and presented strong, nuanced female characters.
(c) Aristophanes – Lysistrata: The greatest comic playwright of ancient Greece, Aristophanes is known for his satirical and often politically charged comedies. His works address social, political, and cultural issues of his time with sharp wit and humour.
(d) Sophocles - Antigone: Another of the three great tragedians, Sophocles is known for his exploration of moral and ethical dilemmas through complex characters. His plays often depict the tension between individual conscience and state law.
Therefore, the correct answer is: B. III, II, I, IV.

87. Match the List-I with List-II.

List-I List-II 
(a) E. AlkaziI. Karnabharam
(b) B.V. KaranthII. Chakravyuh
(c) Ratan ThiyamIII. Andhayug
(d) K.N. PanikarIV. Hayavadan

Choose the correct answer from the options given below:

(a)

(b)

(c)

(d)

A.

III

IV

II

I

B.

IV

II

III

I

C.

II

III

I

IV

D.

I

III

IV

II

Correct Answer: (A)
Solution:

Correctly aligning contemporary Indian directors with their renowned works:

  • E. Alkazi with Andhayug: Highlights his directorial prowess and innovative approach to this significant play.
  • B.V. Karanth with Hayavadan: Correctly associates Karanth with this play, known for its use of folklore and addressing complex identities.
  • Ratan Thiyam with Chakravyuh: Aligns Thiyam with his work known for its visual spectacle and deep narrative.
  • K.N. Panikar with Karnabharam: Matches Panikar with this play, showcasing his skill in interpreting classical texts for contemporary audiences.

88. Match the List-I with List-II.

List-I List-II 
(a) Chitranjan TripathyI. Jeene Bhi Do Yaro
(b) Om KatreII. Katha Ek Kans Ki
(c) Rohit TripathyIII. Samudra Manthan
(d) Waman KendreIV. Gajab Tichi Ada

Choose the correct answer from the options given below:

(a)

(b)

(c)

(d)

A.

I

II

III

IV

B.

III

I

II

IV

C.

IV

III

I

II

D.

IV

II

III

I

Correct Answer: (B)
Solution:

Matching contemporary Indian theatre personalities with their works:

  • Chitranjan Tripathy with Samudra Manthan: Accurately pairs Tripathy with this work that likely explores thematic depths akin to the churning of the ocean, a metaphorical narrative.
  • Om Katre with Jeene Bhi Do Yaro: Connects Katre with this play, which could be reflective of social commentaries similar to the famous film of a similar name.
  • Rohit Tripathy with Katha Ek Kans Ki: Correctly matches Tripathy with a work that would explore mythological narratives, given the content suggested by the title.
  • Waman Kendre with Gajab Tichi Ada: Associates Kendre with a play that probably highlights dynamic and engaging storytelling.

89. Match the List-I with List-II.

List-I List-II 
(a) Angusto BrowlI. Theatre Epic
(b) Richard SchecnerII. Bio Mechanism
(c) Bertold BrechtIII. Environmental Theatre
(d) Meyer HoldIV. Forum Theatre

Choose the correct answer from the options given below:

(a)

(b)

(c)

(d)

A.

II

IV

I

III

B.

III

IV

II

I

C.

IV

III

I

II

D.

I

III

IV

II

Correct Answer: (C)
Solution:

Correctly identifying the theatrical methodologies associated with notable theorists:

  • Angusto Browl with Forum Theatre: This methodology involves interactive performances that engage the audience in discussions and problem-solving, often used in educational and social activism settings.
  • Richard Schechner with Environmental Theatre: Schechner's approach incorporates the entire environment of the performance, engaging audiences in an immersive experience.
  • Bertold Brecht with Theatre Epic: Brecht's epic theatre aimed to provoke rational responses and foster a critical view of the staged drama, focusing on the narrative and the audience's engagement through a series of techniques that distance the viewer emotionally.
  • Meyer Hold with Bio Mechanism: Meyerhold developed biomechanics, emphasizing physical movement that combines physiological and psychological aspects within theatrical
    performances.

90. Match the List-I with List-II.

List-I List-II 
(a) Bharat Rang MahotsavaI. Chandigarh
(b) Nandikar Theatre FestivalII. Paradeeр
(c) Confest National Theatre FestivalIII. Delhi
(d) T.F.T. National Theatre FestivalIV. Calcutta

Choose the correct answer from the options given below:

(a)

(b)

(c)

(d)

A.

III

II

I

IV

B.

III

IV

II

I

C.

IV

I

II

III

D.

I

IV

III

II

Correct Answer: (B)
Solution:

Matching significant theater festivals with their locations:

  • Bharat Rang Mahotsava in Delhi, a premier festival showcasing a diverse range of theatrical performances from across India.
  • Nandikar Theatre Festival in Calcutta, known for its celebration of both traditional and contemporary theater forms.
  • Confest National Theatre Festival in Paradeeр, providing a platform for theatrical groups from different parts of the country to perform and interact.
  • T.F.T. National Theatre Festival in Chandigarh, promoting theater arts in the northern part of India, focusing on innovative and experimental plays.