UGC-NET (NTA) Exam, Performing Arts, December – 2023

Abstract drama is a term used in theatre to describe the separation of scenery and acting from coherence of causality and logic. This type of drama focuses on non-linear narratives, symbolic actions, and fragmented scenes, often prioritizing visual and emotional experiences over logical storytelling. Academic theatre emphasizes traditional and scholarly approaches to theatre. Actable refers to something that can be performed effectively by an actor. Affective memory is a technique used by actors to evoke emotions by recalling personal experiences.
Abstract drama, with its emphasis on breaking conventional narratives and logic, best fits the given description.

In Greek theatre, catastasis refer to the height of the action or the climax in a play. It is the point where the tension reaches its peak, leading to the resolution of the plot. Cathurnus refers to the high, thick-soled boots worn by actors in ancient Greek theatre to elevate their stature.
Caster is not related to Greek theatre terminology in this context. Catalyst generally refers to an agent that provokes or speeds significant change or action but is not a term specific to Greek theatre. Thus, catastasis correctly describe the peak of action in Greek drama.

In theatre, a convention is an agreement between the actor and the spectator to use artificial means of creating actions. Conventions are the techniques and methods employed by actors and directors to convey the story, emotions, and actions in a play, which the audience accepts as part of the performance's reality. A corner is unrelated to this context. Constructivism is a 20th-century architectural and artistic movement that is not specific to theatre conventions.
A console is a control panel or a storage compartment, irrelevant to theatrical conventions. Therefore, the convention is the correct term for this mutual understanding in theatre.

In Kabuki plays of Japan, a daikon refers to an actor. Kabuki is a classical Japanese dance-drama known for its stylized performances, elaborate makeup, and costumes. Dame is not related to Kabuki but is an honorific title in Britain.
Debayasi refers to the onstage musicians in Kabuki theatre. Deuteragonist is a term from Greek theatre, referring to the second most important character after the protagonist. Daikon is the term used to describe actors in Kabuki plays, making it the correct choice.

Nikolai Evreinov, a Russian theatre director and playwright, said, "the stage must not borrow so much from life as life borrows from stage." This quote emphasizes the idea that theatre should inspire and elevate reality rather than merely imitate it.
Friedrich Nietzsche, Alexander Tairov, and Alexandre Dumas also made significant contributions to theatre and philosophy, but this particular quote is attributed to Evreinov.
His perspective highlights the transformative power of theatre in shaping human experience and understanding.

Chinmai Mandalekar is the author of the play 'Vacuum Cleaner.' This play addresses contemporary themes and social issues, reflecting the playwright's engagement with modern urban life and its challenges.
Chinmai Mehta, D. Vijaya Bhasker, and Dr. Sanjeev Kumar are other notable figures in literature and theatre but are not associated with this specific work. Mandalekar's contribution to theatre through 'Vacuum Cleaner' showcases his unique voice and narrative style, making him the correct answer.

Ramamurthy Sundaresan was recently awarded the Sangeet Natak Akademi 'Amrit Award' for Acting. This award recognizes his exceptional talent and contributions to the field of acting.
Hari Krishen Hangoo, Pratap Sehgal, and C.L. Jos are also accomplished artists but were not the recipients of this particular award. The Sangeet Natak Akademi awards celebrate excellence in Indian performing arts, and Sundaresan's recognition highlights his significant impact on the industry.

Sushil Kumar Singh was recently awarded the Sangeet Natak Akademi 'Amrit Award' for playwrighting. This award honors his outstanding work in writing plays that have enriched Indian theatre. Suman Kumar, Basani Marreddy, and Janak Harilal Dave are notable playwrights, but Singh's recent accolade from the Sangeet Natak Akademi specifically acknowledges his contributions.
The award celebrates the creativity and influence of playwrights in shaping contemporary Indian theatre.

The duo of Jayavardhan and Chitra Singh wrote and directed the play 'Kissa Maujpur Ka' for Bharangam 2023. This play explores socio-political themes and reflects the collaborative efforts of its creators.
Daya Prakash Sinha and Rohit Tripathi, Jiten Sen and Bhaskar Boruah, and Rameshwar Singh Kashyap and Sanjay Upadhyay are other playwrights and directors but were not involved in this specific production. The recognition of Jayavardhan and Chitra Singh's work at Bharangam highlights their contribution to contemporary Indian theatre.

Souti Chakraborty is the director of the National School of Drama, Sikkim Centre. This institution plays a crucial role in nurturing and promoting theatrical talent in the region.
Teekam Joshi, Abhilash Pillai, and Dinesh Khanna are prominent figures in Indian theatre but are not associated with the directorship of the NSD Sikkim Centre.
Chakraborty's leadership and vision are instrumental in shaping the institution's success and the development of theatre in Sikkim.