UGC-NET (NTA) Exam, Performing Arts, January-2025

Total Questions: 100

31. Identify the gesture of the head as mentioned in Natyasastra.

A. Parivahita
B. Bhayanaka
C. Udvahita
D. Ancita
E. Ekaksaram
Choose the correct answer from the options given below:

1. B, A and E only
2. A, B and D only
3. A, C and D only
4. D, C and E only

Correct Answer: 3. A, C and D only

Solution:

In the Natyashastra, gestures of the head (Shirobhedas) include Parivahita, Udvahita, and Ancita.

Parivahita (A): A gently flowing sideways movement of the head, suggesting grace or mildness.
Udvahita (C): A raised head movement, often used to express pride, looking upward, or indicating elevated objects.
Ancita (D): A bent or inclined head position to show modesty, submission, or contemplation.

Bhayanaka and Ekaksaram are not head gestures; Bhayanaka is a rasa (sentiment of fear), and Ekaksaram refers to sound or syllable classification.
Hence, correct options is A, C and D only.

32. Identify the Bhaumi Charis.

A. Sakatasya
B. Pataka
C. Adhyardhika
D. Upanga
E. Vicyava
Choose the correct answer from the options given below:

1. C, A and B only
2. A, C and E only
3. A, B and D only
4. C, D and E only

Correct Answer: 2. A, C and E only

Solution:

Bhaumi Charis are ground-level movements in classical dance.

Sakatasya (A): A ground-level gait resembling a cart, part of bhaumi charis.
Adhyardhika (C): A semi-step movement performed close to the ground.
Vicyava (E): Another ground-level chari depicting small, shifting steps.

Pataka (B) is a hand gesture, and Upanga (D) refers to minor limbs, not ground-level movements.
Hence, correct options is A, C and E only.

33. Match List-I with List-II:

List-I	List-II
A. Bhavaprakasana	I. Coomaraswamy
B. Abhinayadarpana	II. Saradatanaya
C. Sangeetaratnakara	III. Nandikesvara
D. Mirror of gesture	IV. Sarangadeva

Choose the correct answer from the options given below:

1. A-IV, B-III, C-II, D-I
2. A-II, B-III, C-IV, D-I
3. A-II, B-IV, C-I, D-III
4. A-III, B-I, C-IV, D-II

Correct Answer: 2. A-II, B-III, C-IV, D-I

Solution:

Matching texts and authors:
• Bhavaprakasana (A) - II. Saradatanaya: А treatise analyzing aesthetics and rasa theory.
• Abhinayadarpana (B) - III. Nandikesvara: A foundational manual on gestures and expression.
• Sangeetaratnakara (C) - IV. Sarangadeva: A seminal text on music and dance theory.
• Mirror of Gesture (D) - I. Coomaraswamy: An English translation and commentary on dance gestures by Ananda Coomaraswamy (with Gopala Krishna).
Hence, correct matching is A-II, В-III, С-IV,D-I.

34. Match List-I with List-II:

List-I	List-II
A. Bhavai	I. Odisha
B. Rouf	II. Gujarat
C. Jhoomar dance	III. Tamil Nadu
D. Bhagavata mela nataka	IV. Jammu and Kashmir

Choose the correct answer from the options given below:

1. A-II, B-I, C-IV, D-III
2. A-II, B-IV, C-I, D-III
3. A-IV, B-I, C-III, D-II
4. A-II, B-III, C-IV, D-I

Correct Answer: 2. A-II, B-IV, C-I, D-III

Solution:

Correct association of folk/theatre forms with regions:
• Bhavai (A) - II. Gujarat: A popular folk theatre form using humor and satire.
• Rouf (B) - IV. Jammu and Kashmir: A traditional women's dance performed during festivals like Eid.
• Jhoomar dance (C) - I. Odisha: A regional variation performed in Odisha (distinct from Punjab's Jhumar).
• Bhagavata mela nataka (D) - III. Tamil Nadu: A devotional dance-drama performed in temples, enacting stories of Lord Vishnu.
Hence, correct matching is A-II, B-IV, C-I, D-III.

35. Match List-I with List-II:

List-I	List-II
A. The movement with single foot at a time is called	I. Rechaka
B. Colour of face	II. Lalita sancara
C. The right foot with the knee raised in the sucicari	III. Chari
D. It is a movement of neck, hand, waist and foot	IV. Mukharaga

Choose the correct answer from the options given below:

1. A-III, B-IV, C-I, D-II
2. A-II, B-I, C-IV, D-III
3. A-III, B-IV, C-II, D-I
4. A-IV, B-II, C-I, D-III

Correct Answer: 3. A-III, B-IV, C-II, D-I

Solution:

The terms and their meanings from the Natyashastra match as follows:
A. The movement with a single foot at a time - III. Chari: Chari refers to locomotor movements involving one foot at a time, with the other either raised or stationary. These steps are foundational patterns for creating dynamic transitions and directional changes in dance.
B. Colour of face - IV. Mukharaga: Mukharaga literally means "facial color" or complexion. In performance contexts, it indicates facial makeup or natural hue, which contributes to Sattvika Abhinaya by enhancing emotional expression and visual appeal.
C. The right foot with the knee raised in the suci cari - II. Lalita Sancara: Lalita Sancara is a graceful movement where the foot is lifted elegantly with the knee raised, similar to Suci Cari positions. It represents refinement and controlled balance, often used to convey delicate moods.
D. A movement of neck, hand, waist, and foot - I. Rechaka: Rechaka denotes coordinated, spiraling, or sweeping movements involving multiple body parts-neck, hands, waist, and feet-executed in harmony. This concept adds fluidity and aesthetic beauty to dance sequences. This combination reflects the proper associations between classical terminology and their applications in movement and expression.
Hence, correct matching is A-III, B-IV, C-II, D-I.

36. Match List-I with List-II:

List-I	List-II
A. Dheeroddhatta	I. Buddha
B. Dheera Lalitha	II. Ravana
C. Dheera Shantha	III. Srikrishna
D. Dheerodaatta	IV. Yudhishtra

Choose the correct answer from the options given below:

1. A-IV, B-III, C-I, D-II
2. A-II, B-III, C-I, D-IV
3. A-IV, B-II, C-III, D-I
4. A-III, B-I, C-IV, D-II

Correct Answer: 2. A-II, B-III, C-I, D-IV

Solution:

Matching options:

Dheeroddhatta (A) – Ravana (II): Represents a hero of great pride and arrogance, like Ravana in the epics.
Dheera Lalitha (B) – Srikrishna (III): The playful, charming hero type is best represented by Krishna.
Dheera Shantha (C) – Buddha (I): A serene, peaceful hero like Buddha reflects tranquility and detachment.
Dheerodaatta (D) – Yudhishthira (IV): The noble and steadfast hero type, demonstrated by Yudhishthira’s righteousness.

Hence, correct matching is A-II, B-III, C-I, D-IV.

37. Match List-I with List-II:

List-I	List-II
A. Guru K.K. Gopalakrishnan	I. Mohiniattam
B. Guru Kanak Rele	II. Kathakali
C. Guru Vedantam Satyanarayana Sarma	III. Kathak
D. Pandit Birju Maharaj	IV. Kuchipudi

Choose the correct answer from the options given below:

1. A-III, B-I, C-IV, D-II
2. A-II, B-I, C-IV, D-III
3. A-IV, B-III, C-II, D-I
4. A-III, B-IV, C-I, D-II

Correct Answer: 2. A-II, B-I, C-IV, D-III

Solution:

Matching options:

Guru K.K. Gopalakrishnan (A) – Kathakali (II): A well-known Kathakali scholar and exponent.
Guru Kanak Rele (B) – Mohiniattam (I): Revived and codified Mohiniattam as a classical form.
Guru Vedantam Satyanarayana Sarma (C) – Kuchipudi (IV): Celebrated for his female impersonations in Kuchipudi dance-dramas.
Pandit Birju Maharaj (D) – Kathak (III): The most iconic modern Kathak exponent.

Hence, correct matching is A-II, B-I, C-IV, D-III.

38. Match List-I with List-II:

List-I	List-II
A. Speaking of Dance	I. Kapila Vatsyayan
B. Dance Dialects of India	II. Sunil Shukla
C. Dance and music in Indian Temple Architecture	III. Mandakranta Bose
D. Dance in Indian painting	IV. Ragini Devi

Choose the correct answer from the options given below:

1. A-I, B-III, C-II, D-IV
2. A-II, B-III, C-I, D-IV
3. A-IV, B-III, C-II, D-I
4. A-III, B-IV, C-II, D-I

Correct Answer: 4. A-III, B-IV, C-II, D-I

Solution:

The correct matching of the works and their authors is:
A. Speaking of Dance - III. Mandakranta Bose: Speaking of Dance is a collection of Mandakranta Bose's essays on Indian dance.
It delves into the history, theory, and aesthetic principles of classical and traditional Indian dance forms, offering critical insights into their evolution and cultural significance.
B. Dance Dialects of India - IV. Ragini Devi: Ragini Devi, a renowned dancer and scholar, authored Dance Dialects of India. The book is a comprehensive documentation of India's classical and folk dance traditions, capturing regional variations and styles that shaped the country's rich performing arts heritage.
C. Dance and Music in Indian Temple Architecture - II. Sunil Shukla: This work by Sunil Shukla explores the deep connection between temple architecture, sculpture, and performing arts. It explains how dance and music are visually represented in carvings and sculptures, symbolizing their sacred role in temple rituals and iconography.
D. Dance in Indian Painting -I. Kapila Vatsyayan: Kapila Vatsyayan, a foremost scholar of Indian arts, authored this book to analyze depictions of dance in Indian painting traditions
. She examines how different schools of painting-Mughal, Rajput, Pahari, and others-captured movement, rhythm, and gesture in static images, highlighting the synergy between visual and performing arts.
This mapping accurately pairs each title with its author, reflecting the scholarly contributions of these noted experts in Indian dance and art history.
Hence, correct matching is A-III, B-IV, C-II, D-I.

39. Match List-I with List-II:

List-I	List-II
A. Kalyanaikuttyamma	I. Bharatanatyam
B. Ramanakutty Nair	II. Mohiniattam
C. Pankajcharan Das	III. Odissi
D. Mallika Sarabhai	IV. Kathakali

Choose the correct answer from the options given below:

1. A-I, B-II, C-IV, D-III
2. A-II, B-III, C-I, D-IV
3. A-IV, B-II, C-I, D-III
4. A-II, B-IV, C-III, D-I

Correct Answer: 4. A-II, B-IV, C-III, D-I

Solution:

Matching options:

Kalyanaikuttyamma (A) – Mohiniattam (II): Known as the mother of Mohiniattam.
Ramanakutty Nair (B) - Kathakali (IV): Legendary Kathakali performer.
Pankajcharan Das (C) - Odissi (III): A pioneer and one of the first gurus of Odissi.
Mallika Sarabhai (D) – Bharatanatyam (I): Renowned Bharatanatyam dancer and activist.

Hence, correct matching is A-II, B-IV, C-III, D-I.

40. Match List-I with List-II:

List-I	List-II
A. Kalakshetra	I. 1928
B. Sahitya Akademi	II. 1936
C. Sangeet Natak Akademi	III. 1953
D. Madras Music Academy	IV. 1954

Choose the correct answer from the options given below:

1. A-II, B-IV, C-III, D-I
2. A-I, B-III, C-II, D-IV
3. A-III, B-II, C-I, D-IV
4. A-IV, B-III, C-II, D-I

Correct Answer: 1. A-II, B-IV, C-III, D-I

Solution:

Matching options:

Kalakshetra (A) - 1936 (II): Founded by Rukmini Devi Arundale to revive Bharatanatyam.
Sahitya Akademi (B) - 1954 (IV): India's National Academy of Letters established postindependence.
Sangeet Natak Akademi (C) - 1953 (III): The national academy for music, dance, and drama.
Madras Music Academy (D) - 1928 (I): Pioneering institution for Carnatic music and dance.

Hence, correct matching is A-II, B-IV, C-III, D-I.